There
are but few gospel song composers who are better and more favorably known
than the subject of this sketch, Wm. J. Kirkpatrick, born February 27, 1838.
His father, Thompson Kirkpatrick, was a school teacher and music teacher,
and well known as a musician in Mifflin, Juniata, Cumberland and Perry Counties,
Pennsylvania, [United States].
William J. grew up in a musical atmosphere, and at an early age learned to
play upon the fife, flute, violin, and later upon the violin cello. In the
spring of 1854 he left his home in Duncannon, Perry County, Pennsylvania,
for Philadelphia to study music and learn a trade, and served over three
years at carpentering. He was much more interested in music than in mechanics,
devoting all his leisure time to its study. His ambition at this time was
to become a violinist.
In February, 1855, he joined the Wharton Street Methodist Episcopal Church,
of Philadelphia, and from that time devoted himself mostly to sacred music,
giving his services to the choir and Sunday-school. As there were few organs
in the churches in that early day, his violin and 'cello were in constant
demand for choir rehearsals, singing societies and church entertainments.
During this preliminary time he composed a number of hymn tunes and anthems,
but they were not offered for publication.
He studied vocal music under Prof. T. Bishop, then a leading oratorio and
ballad singer, and became a member of the Harmonia and the Handel and Haydn
Sacred Music Societies, where he heard the greatest singers of the day and
became familiar with the principal choral works of the great composers.
His first published composition, entitled, "When the Spark of Life is
Waning," appeared about 1858, in the Musical Pioneer, of New
York.
In 1858, at twenty years of age, his first editorial work was begun in this
way: One Sunday afternoon at the close of the Sunday-school, somebody was
singing a hymn to Mr. A. S. Jenks, Bible-class teacher and musical enthusiast,
who had recently published a large collection of camp-meeting songs which
was very popular. While the hymn was being sung, young Kirkpatrick wrote
off the melody, harmonized it and gave it to Mr. Jenks, who seemed amazed
at this exhibition of home talent. Mr. Jenks, who was then collecting material
for a music edition of his popular book, took the music to his musical friends
in New York, where he expected to have the work done. The arrangement stood
the test of criticism, and Mr. Kirkpatrick was engaged to prepare the matter
for the typographers, read the proofs, and get up the book.
Soon he was to be found in company with Mr. Jenks, taking down melodies at
camp-meetings and elsewhere from many of the famous singers of that kind
of music. He prepared the music for publication in "Devotional Melodies," a
book issued by Mr. Jenks. This experience had much to do in giving direction
to the development of Mr. Kirkpatrick's talents and prepare him to write
the many popular sacred songs which appeared later.
For several years he devoted himself exclusively to the study, practice,
and teaching of music, giving special attention to theory, harmony, and composition
under the excellent instruction of Dr. Leopold Meignen, conductor of the
Harmonia Society.
Mr. Kirkpatrick was married in 1861, and in December of the same year connected
himself with the 91st Regiment P. V. (Col. E. M. Gregory) as principal musician
(fife major). He remained with the regiment in that capacity, mostly in Washington
and Alexandria, until October 9, 1862, when his position was abolished by
general orders. He returned to Philadelphia, but went into other pursuits
at that time more remunerative than music, but continued his work and interest
in choir, Sunday-school, and singing-class work, being leader, organist,
and Sunday-school chorister in several of the prominent Methodist and other
churches of that city.
In 1865 he was elected organist, and leader of all the music of the Ebenezer
Methodist Episcopal Church, which position he held at three different periods
for over seventeen years. He studied the pipe organ under the well-known
blind teacher and organist of St. Steven's, Mr. David D. Wood. Vocal lessons
were received from some of the great Italian teachers.
He was again engaged by Mr. A. S. Jenks to supervise the issue of a hymn
and tune book, "Heart and Voice." The entire work of selecting,
classifying, and arranging the twelve hundred hymns, with appropriate tunes,
of this four hundred and forty-eight page book was committed to his care.
On the completion of this book in 1866 he accepted a responsible position
in a furniture manufactory, of Philadelphia, where he remained, with a short
interruption, for ten years. During the latter part of this time, from 1872
to 1875, his first popular gospel songs, words and music were written and
published. "Resting at the Cross," "Sweetly I'm Resting in
Jesus," "Beautiful Day," "Companionship with Jesus," "Entire
Consecration," "Wait and Murmur Not," etc. ; also "Leaflet
Gems, Nos. 1 and 2," were all issued in 1875. "Precious Songs " was
published in conjunction with Rev. J. H. Stockton, whose beautiful and popular
melodies Mr. Kirkpatrick had been arranging and harmonizing for several years
before.
Mr. Kirkpatrick's songs were now in great demand, and several publishers
procured a number of his compositions. About this time he became acquainted
with Mr. John R. Sweney, of Chester, Pennsylvania, who was then making his
mark in musical composition, and it was not long before a proposition was
made and accepted to unite their efforts on a book.
Upon the death of his wife in May, 1878, and the dissolution of the co-partnership
of the firm with which he had been engaged, a month later, he resolved to
abandon the furniture business entirely, and, after an extensive tour through
the country during June, July and August, he began in September, 1878, to
devote his entire time to the composition and teaching of music — organ,
piano and singing. In 1880 his first book as an associate of Mr. Sweney,
the "Quiver of Sacred Song," was published by Mr. John J. Hood.
From 1880 to 1897 in connection with Professor Sweney, forty-nine books were
issued by eight publishers in the United States, and one in London, England.
This list includes six books especially prepared for Sunday-schools, and
five anthem books for the choir, but does not include the many small books,
nor annuals and services for Easter, Children's Day, Christmas, etc. All
of these publications sold well, and the aggregate sales foot up into the
millions.
From 1886 to December, 1897, Mr. Kirkpatrick had charge of all the music
in Grace Methodist Episcopal Church, Philadelphia. He gave up teaching music
in 1889, and devoted all of his time to composition, church and Sunday-school
work, convention and camp-meeting singing, where he has taken great pleasure
and interest in leading the people in sacred song, and obtaining the best
possible results with the least amount of self-display.
Since the death of Mr. Sweney, Mr. Kirkpatrick has given up all of his public
leading and singing, but has still been adding to his list of books. And
since 1897 no less than forty-two have been issued, upon which appears his
name as editor or associate editor, besides many smaller books, services,
etc., which bear the imprint of over a score of publishers.
Among the best known of his recent books are: "Young People's Hymnal,
Nos. 1, 2 & 3," "Sunday School Praises," "Jubilant
Voices," "Devotional Songs," "Glorious Praise," "The
Redeemer's Praise," "Joy and Praise," "Hymns and Spiritual
Songs, No. 2," etc.
Mr. Kirkpatrick was married the second time, October, 23, 1893, to Mrs. Sara
Kellogg Bourne, of New York. During 1905 they traveled together through
France, Germany, Switzerland and England.
Mr. Kirkpatrick is president of the Praise Publishing Company, of Philadelphia
[at the time this biographical sketch was written, 1914]. He is a busy man
and always does his work in a scholarly manner.
He resides in Philadelphia, but spends several months each year in his winter
home, "Sunny Croft," Winter Park, Florida.
Copied by Stephen Ross for WholesomeWords.org from Biography
of Gospel Song and Hymn Writers by J. H. Hall. New York: Fleming
H. Revell, ©1914.
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